Meaning of "Red Roses" by AJ Rafael
"Red Roses" by AJ Rafael explores themes of regret, missed opportunities, and unexpressed feelings. The speaker begins by acknowledging their fascination with someone they were observing, apologizing for staring, and asserting that they are not a creep. However, they express regret for not having the courage to ask for both the person's name and number, leaving them with feelings of remorse and curiosity. The speaker's thoughts race, wondering if the person would have been interested in them and if they would want to see them or share a kiss.
The song also reveals an internal struggle with self-doubt, as the speaker wishes they didn't have these doubts about themselves and wishes they had the guts to express their feelings. The lyrics suggest that the speaker feels inadequate, hindering their ability to take action and ask the person out. This deep-seated lack of self-confidence intensifies their longing for the person they missed their chance with.
As the song progresses, the speaker reflects on the missed opportunities and longs for another chance. They ponder what could have happened if they had taken the initiative and asked the person out, expressing their regret for walking away and lacking the courage to say what they truly felt. The speaker is left devastated and crushed without the person's presence, holding onto red roses they wished to give, symbolizing their love and affection.
The lyrics conclude with the speaker's hope that the person notices their lingering love, acknowledging their inability to let go of these feelings. The repetition of the chorus reinforces the regret and longing that persist within the speaker's mind.
Overall, "Red Roses" portrays the emotional turmoil associated with missed chances and unrequited feelings. It delves into the fear of rejection, self-doubt, and the lasting impact of unexpressed emotions. The song captures the universal experience of longing for someone and the regret that accompanies not taking action when given an opportunity.
