Meaning of "Skyhook" by Dance Gavin Dance
The lyrics of "Skyhook" convey a sense of frustration and disappointment. The speaker feels like they are being overlooked and left behind by someone they used to be close to. The line "Don't turn your back on me" emphasizes the speaker's desire for acknowledgement and connection with this person. Despite their efforts to be good to them, the person refuses to accept the change and growth the speaker has gone through.
The metaphor of flying along the stratosphere represents the person's detachment from their past and the people who were instrumental in their journey. They have chosen to forget those who helped them along the way and instead focus solely on their own success. The speaker feels left behind and at the same time, they recognize their own worth, stating "I'll always treat you well, but you won't accept the change."
The lines "Shimmy, shimmy my way down underground, Got a lot to do, Got a lot to lose" indicate that the speaker is determined to move forward despite feeling rejected. They have their own goals and ambitions, but they also recognize the risks and sacrifices involved. They are willing to take those risks for their own growth and development.
The final section of the lyrics introduces a new element. The speaker declares their ability to save the person countless times, putting their own well-being on the line. Yet, they have risen above the situation and are now on top, far removed from the person who once needed their assistance. The reference to the "big bang" and the years "1969, 2012" suggests a timeline or change happening over a span of time. The mention of "moon walking in my leather shoes" could symbolize the speaker's confidence and ability to navigate through life, even if they don't fully understand it.
Overall, "Skyhook" represents the frustration and disappointment of feeling forgotten and undervalued by someone who used to be important. It's also about finding the strength to move forward and embrace change, despite the pain it may bring.
