Meaning of "Blame It on Love" by David Guetta
"Blame It on Love" delves into the complexities of a dysfunctional relationship. The lyrics depict a love affair that is constantly marked by arguments and disagreements. The line "Blocked your number then let you come and spend the night" hints at a cycle of breaking up and making up. Despite the conflicts, the couple finds it difficult to stay away from each other, resulting in reunions during lonely nights. They acknowledge that they should only be friends but struggle to maintain that boundary, knowing that the other person is always just a phone call away. The chorus suggests blaming their actions and choices on love, as if the intense emotions they feel for each other are responsible for their repeated mistakes. The lyrics also touch on the idea of addiction to the chemistry between them, as they get "so high" whenever they are together. Ultimately, the song portrays a relationship in which love becomes both the scapegoat and the driving force behind their reckless behavior.
The lyrics of "Blame It on Love" highlight the tumultuous nature of certain relationships. They illustrate the cycle of breaking up and making up that often characterizes dysfunctional dynamics. The repeated phrase "we do it again on nights we're alone" emphasizes their inability to resist each other despite the conflict. The use of the word "blame" conveys a sense of responsibility and accountability, suggesting that they acknowledge their actions but attribute them to the overpowering force of love. This concept taps into a common human tendency to blame external factors rather than take full ownership of our choices and behaviors. The song also explores the addictive nature of some relationships, where the highs experienced with a particular person become difficult to resist, even if the relationship ultimately causes more harm than good. Overall, "Blame It on Love" provides a glimpse into the emotional rollercoaster that can ensue when love and passion intersect with conflict and impulse.
