Meaning of "Feelings" by Hayley Kiyoko
In "Feelings," Hayley Kiyoko explores the challenges of being an emotional and caring individual in a world that often expects people to be cold and unfeeling. She walks through the world trying to be nice, but she knows that there is a risk of getting hurt if she doesn't protect herself. However, she also recognizes that her caring nature is a fundamental part of who she is and apologizes for it, feeling like it's unfair that she can't help but care deeply.
The artist's tendency to overcommunicate and feel too much becomes a source of complication in her relationships. She laughs and dreams about having a casual, carefree connection with someone, but deep down, she knows that it's not her nature. The lyrics suggest a longing for a deeper emotional connection, as she mentions wanting someone to hold her when she looks into their eyes. The artist finds herself caught up inside, feeling both happy and lonely, as she is unable to fully detach from her feelings despite others not truly knowing her.
Hayley Kiyoko expresses frustration with herself for not being able to relax and wonders why she can't let go of her emotions. The repetition of the lines "I'm sorry that I care" and "It's really not that fair" showcases her struggle to accept herself fully in a society that often values emotional detachment. She desires to be more casual and tough, but finds herself hooked on the intense emotions that come with love.
The lyrics also touch on the dichotomy of sex and emotional connection. While the artist recognizes the allure and excitement of casual physical encounters, she is tired of putting on an act of toughness. She mentions being sick and tired of pretending, implying a deeper longing for emotional intimacy and authenticity.
In the end, "Feelings" portrays a complex and relatable journey of self-discovery and acceptance. Through her lyrics, Hayley Kiyoko encourages embracing emotions rather than suppressing them, recognizing that caring deeply is not something to apologize for.
