Meaning of "Look at Them" by Jeanne Added
"Look at Them" delves into the complexities of human emotions and the various ways in which individuals navigate their internal struggles. The lyrical imagery of trees not climbed and bridges crossed in the mind symbolizes missed opportunities and unexplored paths in life. These metaphors suggest that there are aspects of our lives we choose to hide or suppress, such as unexpressed worries or withheld feelings.
The line "Who are we fooling when we cry?" highlights the tendency to put on a facade, pretending that everything is alright when it might not be the case. It questions the authenticity of our emotions and explores the idea of hiding vulnerability. This theme is further emphasized in the line "Over her head clouds that look like mines; Oh why can't she wish for brighter skies," which depicts someone who cannot envision a better future and is seemingly trapped in their own emotional turmoil.
The song also touches upon the concept of missed opportunities and regret. The lyrics mention "all the roads that you never take" and "all you know but never suspect," suggesting the existence of unexplored possibilities and untapped potential. This reinforces the idea that individuals often bury their desires or ambitions out of fear or uncertainty, resulting in unfulfilled dreams.
The repeated phrase "rotten fireworks kept inside, waiting for a light" represents the emotional turmoil and creative energy that remains unexpressed and undeveloped. It implies a longing for release and a yearning to ignite these hidden emotions. The lyrics imply that by keeping these fireworks inside, they become corrupted or damaged, emphasizing the importance of addressing and expressing our innermost thoughts and feelings.
Overall, the song reflects on the human tendency to suppress emotions and desires, and the consequences of doing so. It encourages listeners to examine their own internal struggles, question societal expectations, and strive for a more authentic and emotionally fulfilling life.
