Meaning of "What a Mystery" by Josh Wilson
"What a Mystery" is a song that reflects on the power of love and its connection to a greater divine love. The lyrics start by painting a picture of a garden and a lonely man, with the suggestion that God had a plan for their union. This sets the tone for the rest of the song, emphasizing the mysterious and unexpected nature of love.
The chorus of the song repeats the idea that the relationship between the narrator and their partner is a "mystery." This suggests that love is not easily explained or understood. It is something that goes beyond human comprehension and is connected to a greater love that will be fully experienced someday. The repetition of the "woah oh oh oh" melody adds a sense of wonder and awe to the lyrics, further emphasizing the mysterious nature of love.
The second verse continues to explore the transformative power of love. The narrator expresses how being with their partner makes them more like God, suggesting that love brings out the best in people and helps them grow spiritually. The partner is described as patient and kind, representing qualities that are associated with God's love. The lyrics imply that being in this relationship is a way for the narrator to experience and observe God's love in their own life.
The bridge of the song introduces the idea of personal growth within the relationship. The lyrics talk about "chipping away" at things that don't belong, which can be interpreted as letting go of negative aspects or past baggage. The focus is on finding the "glory we forgot" and rediscovering the image of God within ourselves. This suggests that the relationship serves as a means of self-discovery and spiritual awakening.
Overall, "What a Mystery" is a song that celebrates the beauty and transformative power of love. It acknowledges the mysterious nature of love and how it reflects a greater love that will one day be fully understood. The lyrics also highlight the way love brings out the best in individuals and helps them grow spiritually.
