Meaning of "All The Things Lost" by MS MR

The lyrics of "All The Things Lost" delve into the complex emotions that arise when a relationship reaches a breaking point. The repetition of the lines "Oh, ho-ho, ho-ho" and "Ho, ho" throughout the song creates a sense of longing and emotional turmoil. The opening lines, "No matter how sweet that song, We push so hard we finally broke," suggest that despite the pleasant moments and the beauty of their connection, the pressures and conflicts in the relationship have caused it to crumble.

The mention of silence in the second verse, "Oh, our silence could not excuse, Disappoint or fool, foolproof," alludes to the idea that the lack of communication and the inability to express oneself only exacerbates the pain and prevents any resolution. The narrator hints at the frustration of holding onto a pain that is familiar, as they sing, "Easier to live a pain than have to let it go." This line suggests that despite the hardships of the relationship, it is still more comfortable to hold onto the pain and the past rather than face the uncertainty of moving forward.

The lyrics also touch upon the idea of collecting memories as a way to hold onto the past. The line "Spend your life collecting so you can never forget" implies that the narrator has been actively trying to preserve moments and experiences, perhaps as a way to cling onto what once was. However, these "treasured moments" become like "lost treasures" when they are no longer able to be fully remembered and cherished. The frustration of not being able to recollect these memories adds to the overall sense of loss and confusion in the song.

In the final lines, the narrator acknowledges the existential question of whether they are okay, but admits, "The truth is we're not but I don't know what to say." This confession highlights the struggle to accurately express the pain and emotions they are experiencing. The longing and sense of not having the right words to communicate their feelings is a central theme throughout the song.