Meaning of "Curses, Invocations" by The Doors

The lyrics of "Curses, Invocations" by The Doors delve into themes of societal judgement, individuality, and the power of words. The song begins with a list of strange and unconventional characters, referred to as "weird bate-headed mongrels," "quaint cabbage saints," and "shit hoarders." These descriptions mock societal norms and challenge the idea of fitting into prescribed roles.

The song acknowledges the presence of different types of people, both conforming and non-conforming, by mentioning "large buxom obese queen," "drag strip officials," "tight-lipped losers," and "lustful fuck salesman." These characters represent a wide range of individuals who defy societal expectations and norms, emphasizing the importance of embracing diversity and uniqueness.

The lyrics also highlight the performative nature of society, particularly through the mention of comedians. The lines "Here come the comedians, Look at them smile, Watch them dance an Indian mile" suggest that society often expects individuals to put on a show and conform to certain behaviors. The phrase "Indian mile" may symbolize a superficial display of cultural appropriation and imitation.

In contrast to the artificiality of societal performance, the song praises the power of words. It states that words dissemble, resemble walking sticks, and can be planted to grow and shape the world. This emphasizes the importance of language and communication in shaping our reality. The repetition of the line "I'll always be a word man, Better then a bird man" suggests a preference for the power of words over superficial appearances or superficial acts.

Overall, "Curses, Invocations" portrays a disdain for societal stereotypes and a celebration of individuality. It uses ironic and satirical language to challenge societal norms and expectations. The lyrics also emphasize the power of words and their ability to shape our world.