Meaning of "Eros" by Young The Giant

The lyrics of "Eros" delve into the complexities of desire and the yearning for a deeper connection in a relationship. The repetitive plea of "Why won't you call me?" at the beginning suggests a desire for attention and communication, as the narrator longs for the person's affirmation. They ask the person to be "straight" with them, indicating a desire for honesty and openness. The mention of wanting to be older hints at a desire for maturity and understanding. The plea to be given a chance reveals the narrator's yearning to prove themselves and win over the other person.

The repeated mention of controlling the Sienna and patrolling its yellow lights carries a metaphorical weight. The Sienna could represent a symbol of freedom or agency, and the desire to control it may point to a desire for power or dominance in the relationship. The yellow lights could symbolize caution or warning, suggesting that the narrator wants the other person to be aware or cautious of their actions.

The chorus, with its eerie repetition of "Put out the fire," conveys a sense of conflict and tension. The narrator admits to never letting go and allowing the flames to grow, indicating a resistance to resolving the conflict or letting the relationship fade away. The repeated insistence to not call it quits and the mention of a cold, hard stare suggest a resistance to giving up on the relationship, even in the face of frustration and uncertainty.

The lyrics then shift to a more introspective tone in the bridge, with the narrator expressing their sorry but also their belief that they will unintentionally win. It seems like they want to break free from the constraints and expectations of sobriety, longing to dance and have a shared experience with the other person. This suggests a desire for liberation and a rejection of societal norms that might inhibit their connection.

The final part of the song reflects upon the current state of communication and connection, expressing the feeling that nobody waits or calls anymore. The assertion that "talking is dead with these conversations" suggests a lack of depth and genuine connection in relationships. The mention of tired nations and too many thoughts at the door indicates a sense of overwhelm and inability to fully engage with others. Despite these frustrations, the narrator asserts their presence and acknowledges that they may have been played, possibly indicating a newfound self-awareness and determination.